Lakers' Kobe Bryant to experience in Italia Throughout National basketball association Lockout

ROME (AP)-Italian club Virtus Bologna stated it's arrived at a verbal agreement with Kobe Bryant(notes) for that La Opposing team star to experience in Italia throughout the National basketball association lockout.our editor recommendsEndemol USA plans Kobe Bryant Web seriesKobe Bryant To Create His Movie Acting Debut in 'The Black Mamba' "We now have arrived at a fiscal deal," Virtus leader Claudio Sabatini told a nearby radio station. "There's still several things to set up but at this time I am very positive. I'd say it's 95 % done." You aren't understanding from the discussions told The Connected Press on Friday the sides have chosen a $3 million agreement for the outlet 40 times of an italian man , league season. The individual spoke on condition of anonymity since the deal has still not been signed. Bryant, who spent a lot of his childhood in Italia, was in the united states for sponsor looks in the last 2 days but was flying to the U.S. for labor talks using the National basketball association on Friday. Bryant is anticipated to obtain a work visa and go back to Italia in a few days. "Kobe ought to be in Bologna by Wednesday or Thursday together with his visa in hands for medical visits therefore we can deposit anything using the league," Sabatini stated. "I wish to make obvious that at this time you will find still no signatures. We have reached write anything, that will then be read again and again again." Virtus have been because of open the growing season March. 9 against Roma, but agendas now have to be reworked after Venezia was put into the league like a 17th team. The offer, which may allow Bryant revisit the Opposing team immediately when the lockout finishes, should last about 10 games. Sabatini wants to produce a special schedule that assigns Bryant's games to Italy's greatest arenas. "It is really an important investment along with a unique opportunity for the town of Bologna and every one of Italian basketball," Sabatini stated. "I am wishing everybody really wants to collaborate." The 33-year-old Bryant has 3 years and $83.5 million left on his contract using the Opposing team. Between your age range of six and 13, Bryant resided in Italia when his father Joe Bryant performed with Rieti, Reggio Calabria, Pistoia and Reggiana from 1984-91. The elder Bryant also once possessed a small sector of Olimpia Milano. Lucrative coaches the La Sparks within the WNBA. The more youthful Bryant still talks Italian fairly well, and talked about his reminiscences of his time in the united states throughout a job interview using the Gazzetta dello Sport on friday. "Italia is home. It's where my imagine playing within the National basketball association began. This is when I learned the basic principles, learned to shoot, to pass through and also to (move) with no ball," Bryant told an italian man , newspaper. "Everything that after I returned to America the gamers my maturity did not understand how to do simply because they were only considering jumping and dunking." Bryant added that playing in Italia "will be a dream for me personally.Inch Bryant continues to be bothered in recent seasons by an arthritic joint in the right knee, that has needed several minor procedures. He sitting out most the Lakers' practices last season and saw his scoring, shooting percentage and minutes reduction in his 15th National basketball association season. Former USC guard Daniel Hackett, a dual citizen who plays for Pesaro in Italia, stated he'd give Bryant a hostile reception if he faced the first kind National basketball association MVP. "The only method to stop a person so good is by using a tough foul and that he recognizes that,Inch Hackett stated. "I have got five fouls to commit and they are the toughest five fouls I have ever committed." Hackett also belittled speculation that Bologna will request opposing clubs hosting Bryant's away games to nick inside a part of ticket sales to assist pay Bryant's salary. "I am hoping Kobe does not lower themself for this level for economic and commercial motives," Hackett stated, based on the Gazzetta. "In my experience, it might be a large disappointment to determine him here under these conditions, along with a lack of respect for any player who's too large to dirty his hands within this league." Bologna leader Sabatini responded, "Fortunately not every Italian gamers think like Hackett." Turkish club Besiktas and a minimum of one team in China had also expressed curiosity about Bryant, that has won five National basketball association titles and been an exciting-Star 13 occasions. Bologna also lately contacted Spurs swingman Manu Ginobili(notes), who performed using the club before joining San Antonio in 2002. Colorado Nuggets forward Danilo Gallinari(notes) rejoined his former Italian club Olimpia Milano a week ago. The National basketball association months are scheduled to spread out November. 1 but proprietors and gamers have unsuccessful to agree with a brand new labor deal. The 2 sides are in odds over how you can divide the league's revenue, an income cap structure and the size of guaranteed contracts. A week ago, National basketball association authorities introduced the postponement of coaching camping and also the cancellation of 43 preseason games. Virtus has won 15 Italian league game titles but none of them since 2001, if this also won the Euroleague for that second time. Bologna didn't be eligible for a this season's Euroleague, even though team has large ambitions after signing former Clemson point guard Terrell McIntyre, who brought Siena to four consecutive Italian game titles before moving to Malaga in The country before last season. Getting mingled with fans in Milan on Wednesday, Bryant also received a warm welcome in Rome on Thursday, where he was introduced towards the Campidoglio museum obtain a commemorative medal in the 1960 Rome Olympic games. Related Subjects Worldwide Kobe Bryant

CBS Films Chief Amy Baer Exits Publish

Kevin Winter/Getty Images CBS Films leader-CEOAmy Baerwill leave her publish within the finish of October and transition in to a creating role. Her new deal remains hammered out. We are not set to switch Baer inside the top slot an insider in the organization signifies the comfort in the current executive crew -- COOWolfgang Hammer, purchases chiefScott Shoomanand distribution headSteven Friedlander--will remain in position and run the show for your expected future. Baer prepares to exit her leadership role carrying out a string of productions that met only middling success, includingExtraordinary Measures,The Trunk-Up Plan,Faster,The Car specialist andBeastly. PHOTOS: Next Gen 2010: Hollywood's Youthful Guns Forthcoming releases are the acquisitionsThe Lady in BlackandSalmon Fishing inside the Yemen, that the organization acquired within the Toronto film festival.TheCoen Bros.-pennedGambit, starringColin Firth, andAmerican Assassin, whichEd Zwickis co-writing and pointing, may also be round the future slate. The insider states the organization still expects release a 4 to 5 films every year, split evenly between homegrown productions and purchases. "We thank Amy on her behalf normal part in building CBS Films," mentioned CBS Corporation leader and CEOLeslie Moonves, who launched the division with Baer in 2007."Continue, we remain fully dedicated to the division's focus on a particular slate of smart purchases and quality homegrown productions in many genres. CBS Films is small inside the overall size and scope within our company, but is constantly fit nicely while using Corporation's premium content strategy." Amy Baer CBS Films

Netflix nabs DreamWorks, Amazon . com . com signs Fox

After taking numerous body blows following its decision to hike costs and split its streaming and DVD methods, Netflix is rallying back, announcing a groundbreaking agreement creating exclusive first-run rights for with DreamWorks Animations' movies and tv special deals. Amazon . com . com, meanwhile, responded having a completely new partnership due to its very own streaming service, getting 2,000 Fox films and tv episodes to its Amazon . com . com Prime Instant Video program. The moves both signal the growing importance (and competitive character) in the streaming market. Netflix has extended thought streaming may be the way ahead for home video delivery and developed the cafeteria-style delivery method. Amazon . com . com will be a latecomer for the market, but by pairing free streaming having its premium membership program (which includes free two-day shipping), the business has began to produce an impact.The Netflix/DreamWorks partnership will begin in 2013. (Current partner Cinemax made the decision release a DreamWorks in the current contract couple of years early.) The move will place the organization directly rivaling pay cable channels and signifies the first time a studio has chosen for Web streaming pay an excessive amount of television. ''This arrangement allows us to obtain additional value for that content while giving us a much better flexibility in the manner we distribute it across multiple platforms in current day altering digital world,'' mentioned Jeffrey Katzenberg, Boss of DreamWorks Animation.DreamWorks Animation has three releases slated for 2013: ''The Croods,'' ''Turbo'' and ''Peabody and Sherman''. Catalog game game titles, for instance ''Kung Fu Panda'' and ''MegaMind,'' will finish up provided with time, the companies mentioned.The worth and entire partnership were not introduced. Amazon's deal with Fox might help fill some noticeable gaps, adding fare for instance ''The X-Files,'' ''Buffy the Vampire Slayer,'' ''24'' and ''Arrested Development'' for the Amazon . com . com Prime selection. Netflix is constantly on the stream people shows, but Amazon . com . com will convince add a few exclusives, for instance ''The Question Years''. ''Since beginning taken, we've bending the quantity of game game titles accessible in Prime instant videos, and there's still more later on,'' mentioned Amazon . com . com Boss Rob Bezos. Amazon . com . com remains striking handles several new companies in recent several days, most recently adding NBCUniversal Domestic TV Distribution (and game game titles for instance ''Eternal Sunshine in the Spotless Mind,'' ''Elizabeth,'' and ''Gosford Park'') in the finish of the summer time.Prime Instant Video can be a streaming service the business proposes to people of the Amazon . com . com Prime service. People pay $79 every year totally free two-day shipping together with the free video. Even if they never take full advantage of that after, the monthly cost with this particular streaming service computes to $6.50 monthly, $1.50 under Netflix's least pricey service.Netflix and Amazon . com . com will be the leading companies inside the streaming space at this time around, but plenty of rivals are directly in it. Apple, Walmart-possessed Vudu and Dish Network (which the other day introduced a Blockbuster-high quality streaming service for clients to its satellite options) are directly in it. Content companies are reaping helpful benefits out of this competition and settling reasonably limited cost for partners. Netflix partner Starz, providing you with streaming rights for Disney and also the new the new sony films, walked in the table with Netflix captured when the two companies were not able to to barter their deal. The partnership is predicted to dissolve next February. Contact the number newsroom at news@variety.com

Terry Gilliam Among EFA Short Film Noms

Fifteen short films are now nominated for the European Film Awards.This years final nomination was justannounced at the International Short Film Festival in Drama (Greece):Terry Gilliam’s The Wholly Family. (He received the European Film Academy Lifetime Achievement Award in 2001.)The short film initiative is organised by the European Film Academy in co-operation with a series of film festivals throughout Europe. At each of these festivals, an independent jury presents one of the European short films in competition with a nomination in the short film category of the European Film Awards. The nominees will now be presented to the over 2,500 EFA memberswho will elect the overall winner. The European Film Academy Short Film 2011will be presented at the 24th European Film Awards Ceremony onDecember 3rd in Berlin. The nominated short films are: EFA Short Film Nominee Ghent BERIK by Daniel Joseph Borgman Denmark 2010, 16 min., fiction EFA Short Film Nominee Valladolid SM BARN, STORA ORD (Little Children, Big Words) by Lisa James-Larsson Sweden, 12 min., fiction EFA Short Film Nominee Cork HNDELSE VID BANK (Incident by a Bank) by Ruben stlund Sweden 2010, 12 min., fiction EFA Short Film Nominee Bristol DERBY by Paul Negoescu Romania 2010, 15 min., fiction EFA Short Film Nominee Angers JESSI by Mariejosephin Schneider Germany, 31 min., fiction EFA Short Film Nominee Rotterdam I LUPI (The Wolves) by Alberto de Michele Italy/the Netherlands 2010, 17 min., documentary EFA Short Film Nominee Berlin TERFDELSEN (The Unliving) by Hugo Lilja Sweden 2010, 28 min., fiction EFA Short Film Nominee Tampere APELE TAC (Silent River) by Anca Miruna Lzrescu Germany/Romania 2011, 30 min., fiction EFA Short Film Nominee Cracow PAPARAZZI by Piotr Bernas Poland, 33 min., documentary EFA Short Film Nominee Grimstad LA GRAN CARRERA (The Great Race) by Kote Camacho Spain 2010, 7 min., fiction, EFA Short Film Nominee Vila do Conde DIMANCHES by Valry Rosier Belgium, 16 min., fiction EFA Short Film Nominee Sarajevo TSE (Out) by Roee Rosen Israel 2010, 35 min. EFA Short Film Nominee Locarno OPOWIESCI Z CHLODNI (Frozen Stories) by Grzegorz Jaroszuk Poland 2011, 26 min., fiction EFA Short Film Nominee Venice HYPERCRISIS by Josef Dabernig Austria, 17 min., fiction EFA Short Film Nominee Drama THE WHOLLY FAMILY by Terry Gilliam Italy, 20 min., fiction

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Universal Preps New Scarface Movie

EXCLUSIVE: Universal Pictures is developing a new version of Scarface, the title first released in 1932 and then turned into the iconic 1983 film that starred Al Pacino as Cuban gangster Tony Montana. I’d heard that the studio has been meeting writers to script a take for a film that will be produced by Marc Shmuger and his Global Produce banner along with Martin Bregman. Bregman produced the Pacino version. The film is not intended to be a remake or a sequel. It will take the common elements of the first two films: an outsider, an immigrant, barges his way into the criminal establishment in pursuit of a twisted version of the American dream, becoming a kingpin through a campaign of ruthlessness and violent ambition. The studio is keeping the specifics of where the new Tony character comes from under wraps at the moment, but ethnicity and geography were important in the first two versions. In the 1932 Scarface, an Italian (Paul Muni) took over Chicago, and in the Brian De Palma-directed remake, a Cuban cornered the cocaine trade in 1980s Miami, only to be consumed by it. Ann Dvorak, George Raft and Boris Karloff starred in the original and Michelle Pfeiffer, Steven Bauer and Mary Elizabeth Mastrontonio starred in the remake. Does the iconic Universal library title Scarface deserve an updated version for a new generation? I’m told that when Universal put together the 1983 film, there were howls of heresy; after all, the film was considered a Howard Hughes-produced classic, with a script by Ben Hecht. Howard Hawks directed it with Richard Rosson. The remake became iconic in its own way, particularly in influencing hip-hop culture. Tony Montana’s image is still widely merchandised; his signature line “Say hello to my little friend’ remains the biggest selling cell phone voice ringtone, and Universal has sold over 10 million DVD units worldwide.

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Lovely Molly

A Haxan Films and Amber Entertainment presentation. Produced by Robin Cowie, Gregg Hale, Jane Fleming, Mark Ordesky. Executive producers, J. Andrew Jenkins, Robert Eick. Directed, put together by Eduardo Sanchez story, Jamie Nash.With: Gretchen Lodge, Johnny Lewis, Alexandra Holden, Area Blauvelt."Lovely Molly" signifies a spooky but scattershot attempt by author-director Eduardo Sanchez to meld the initial-person handheld aesthetic of his 1999 horror landmark "The Blair Witch Project" getting a far more straightforward bump-in-the-evening thriller. Around Sanchez aided to pioneer the found-footage technique that has since produced numerous imitations, the gimmick feels ill motivated within the muddled tale from the youthful lady who foolishly moves in to the house where she spent her abusive childhood. Still, before it tips over into banshee-wailing, screwdriver-transporting unpleasantness, this experimental exercise produces some legitimate shivers that could lure fringe horror fans in niche release. Wedding couple Molly (Gretchen Lodge) and Tim (Johnny Lewis) have chosen to economize through getting into the old, creaky countryside manse that has been in Molly's family for many years and contains been not lived on since the dying of her father. Nobody thinks to warn the happy couple it is not truly the best strategy -- not necessarily Molly's sister, Hannah (Alexandra Holden), with whom she clearly shares uncomfortable girlhood recollections that are never clearly laid bare. Soon security sensors and unsettling noises are disturbing the couple's slumber, and Molly is rattled and shook and shook having a noisy pounding at her door, even though regular police visits don't arrive evidence of an thief. With truck driver Tim frequently on the road, Molly becomes progressively disturbed and, a la "Paranormal Activity," starts employing a video camera to record her actions at home, wanting to capture evidence of the menacing presence she will get so really. These nocturnal sequences are undeniably effective at first, masterfully drawing the viewer's anxiety over what might lurk inside the shadows, lower the staircase or behind a closet door. But it's something that can't sustain itself. An early on, costly-forward video capture of Molly, hysterically addressing the digital camera while clearly inside the advanced stages of madness or demonic possession, seems to wink at Louise Donahue's close-up monologue in "Blair Witch" -- an assessment that serves only to underscore how shoehorned-inside the technique feels in this more routinely frightening context. It's tough to shake the notion that Sanchez (working in the story by Jamie Nash) made his protag a newcomer filmmaker partly to draw attention away within the deficit in the material, as Molly's derangement leads her lower the expected paths: leading to problems in the office, shunning clothing and making inventive usage of household tools. With sharp features together with a detailed-sprang look of your hair that lend her an abnormally tough, spunky visit a horror heroine, Lodge provides a completely committed performance, sometimes going screechily over-the-top but creepily finishing Molly's transformation in to a dead-eyed, bare-bodied succubus. Holden and Lewis work enough as her concerned family people. Having its bare walls, sparse decor and overall atmosphere of chill and rot, the house provides all the production value "Lovely Molly" needs. Tech package is rough by design, and no matter the problematic juxtaposition of first-person and third-person perspectives, d.p. John W. Rutland and editor Andrew Vona get a reasonably coherent combination of footage. Soundscape is remarkably detailed, though repeated wailings of "Mollyyyyyyyyy..." tether the film for the cheesy horror tradition it's clearly trying to transcend.Camera (color, HD), John W. Rutland editors, Andrew Vona, Sanchez music, Tortoise production designer, Andrew White-colored set decorator, Natalie McAdoo-Howard appear, James Ridgley appear designers, Matt Davies, David West supervisory appear editor/re-recording mixer, Kevin Hill effects coordinator, Mark Fenlason visual effects supervisor, Tim Carras visual effects, Comen VFX casting, Pat Moran. Examined at Toronto Film Festival (Evening time Madness), Sept. 15, 2011. Running time: 100 MIN. Contact Justin Chang at justin.chang@variety.com

TV TEASER: Exclusive Glee Premiere Clip

We’ll get lots of Jane Lynch on Sunday once the Glee star hosts the Primetime Emmy Honours. However, here's she as her tracksuit-loving, glee club-bashing character Sue Sylvester within an exclusive clip in the approaching third season premiere of Glee, which airs on Tuesday. Within the last 24 months, Sue Sylverster continues to be trying unsuccessfully to seal lower the brand new Directions glee club. Now, she takes her efforts towards the condition level, making suspending all public school arts programs a cornerstone of her campaign for Congress. This is actually the campaign edition of her Sue’s Corner weekly segment about the local Ohio TV station. rtmp://streaming.tvline.com/ondemand/video/glee_301_2011-09-16.flv

David Seidler, Jason Katims Among Winners Of Humanitas Prize

David Seidler’s The King’s Speech and an episode of Friday Night Lights penned by Jason Katims were among the winners of the Humanitas Prize, which were unveiled today during a ceremony at Montage Beverly Hills. A total of 11 winners received took home a total of $85,000 in prize money for films and TV shows that “entertain, engage and enrich the viewing public.” The organization also bestowed its Kieser Award to Gary David Goldberg. Here’s the full list of winners: Feature Film Category ($10,000) David Seidler: THE KINGS SPEECH 90 Minute Category ($10,000) George Stevens, Jr.: THURGOOD 60 Minute Category ($10,000) Jason Katims.: FRIDAY NIGHT LIGHTS Always 30 Minute Category ($10,000) Abraham Higginbotham: MODERN FAMILY The Kiss Sundance Feature Film Category ($10,000) Thomas McCarthy: WIN WIN Childrens Animation Category ($10,000) Jonathan Groff & Jon Pollack: KUNG FU PANDA The HUMANITAS Documentary Award – Sponsored by OWN ($5,000) Greg Jacobs & Jon Siskel: LOUDER THAN A BOMB The David & Lynn Angell Fellowship in Comedy Writing ($10,000) Robin W. Morton: Spec Script of MODERN FAMILY Life is Beautiful (UCLA) The HUMANITAS Student Drama Fellowship ($10,000) Amy Ripley: Original Script of INKLINGS Pilot (USC)

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Fox Orders 4 More Episode Of Bones

After downsizing the arrival seventh season of Bones from 22 to 13 episodes because of being pregnant of star Emily Deschanel, Fox has elevated a purchase to 17 episodes, our sister site TV Line reviews. The additional episodes won't air this season but inside the summer season or may be held for next season.

SAG Member Cops Plea On Screener Leak

Actor Wes DeSoto has agreed toplead guilty to copyright infringement for leaking an awards screener of Black Swan and other films to file-sharerBitTorrent. DeSoto’s L.A. apartment was raided by FBI agents in April after a MPAA piracy officer tipped the feds that several high-qualitycopies of feature films had shown up on the site. The bootlegs were review screeners provided through the iTunes store to members of the Screen Actors Guild. The authorities pinpointed DeSoto as the culprit through digital watermarks in the movies, according to an FBI affadavit. Federal sentencing guidelinescall for a sentence between 10 to 16 months, but the government is seeking three years of probation and restitution. DeSoto is expected to appear in federal court for sentencing next month.

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Dana Archer Promoted to Executive V . p . at DDA Pr

TORONTO - Dana Archer remains elevated from senior v . p . to executive v . p . of DDA Pr as she moves closer to an entire partnership within the worldwide corporate publicity firm. The promotion was created by DDA Boss Lawrence Atkinson and Chief Operating Officer John Stannard. As mind of DDA's L.A. office, with oversight of U . s . States accounts, Archer remains instrumental in developing the practice with clients including FilmNation Entertainment, Alliance Films / Momentum Pictures, the Dubai Worldwide Film Festival, LLeju Productions, Participant Media, Samuel Hadida and also the Davis Films banner and Crime Scene Pictures. Furthermore, the La office has ongoing to develop services by using senior account executive Alice Zou and account executive Alyssa Grinder for the existing team of worldwide publicity professionals. Current projects being handled in the L.A. include Zhang Yimou's The Flowers of War, starring Christian Bale, Roland Joffe's There Be Dragons, Amy Heckerling's Vamps, Crime Scene Pictures' Gambit starring Colin Firth and Cameron Diaz, Michael J. Bassett's Quiet Hill: Thought 3d and Lee Kirk's The Giant Mechanical Guy. Related Subjects

This Month in Movie History: A September 2001 Timeline

For Hollywood, September 2001 started out like any other September, full of film festivals, dealmaking, and the release of Oscar-bait movies. Of course, like everything else in America, the movie business was shocked and horrified by the events of 9/11 and quickly came together to respond to the tragedy. Looking back a decade later at the events of that month, it's remarkable how quickly things returned to business as usual. Hollywood kept greenlighting the same kinds of movies, and stars kept behaving (aside from their generosity in the days after the attacks) with their usual personal abandon. Here's a timeline of the movie news of September 2001, full of both landmark events and typical Hollywood business. The Week of Sept. 1 - 7 September 1 • Anne Heche marries cameraman Coley Laffoon. The couple will split in 2009. • Geena Davis marries plastic surgeon Reza Jarrahy, who is 15 years her junior. It's the fourth marriage for the 45-year-old Oscar-winner. The union will produce three children. September 2 • Low-budget horror flick 'Jeepers Creepers' surprises with a strong $13.1 million opening to win the Labor Day weekend box office. September 3 • Kate Winslet announces her separation from director Jim Threapleton, her husband of three years and father to their daughter, Mia. • John Grisham's recently filmed movie 'Mickey,' starring Harry Connick Jr. as a father who enrolls his too-old son as a Little League ringer, is delayed by its similarity to the real-life scandal of overaged Little League World Series star Danny Almonte. The movie will sit on shelves for another three years before vanishing at the box office after a limited 2004 release. • Influential New Yorker film critic Pauline Kael dies at 82. September 4 • Mark Ruffalo has to drop out of M. Night Shyamalan's 'Signs' because of ear surgery. Joaquin Phoenix replaces him in the alien-invasion drama that will become one of 2002's biggest hits. September 5 • The new 'Austin Powers' sequel gets a title: 'Austin Powers in Goldmember.' Mike Myers gets a reported $25 million for the third installment. The film will go on to become a big 2002 hit and launch Beyoncé's film career. September 6 • Chicago Little League coach Bob Muzikowski unsuccessfully sues Paramount to stop the Sept. 14 release of 'Hardball,' a movie loosely based on his life, arguing that the film defames him by showing the coach (Keanu Reeves) pushing the kids and has scenes of the players using profanity -- both violations of league rules. September 7 • George Clooney plans to reunite with his 'Peacemaker' co-star Nicole Kidman for his directorial debut, 'Confessions of a Dangerous Mind.' Eventually, Clooney will make the movie with Julia Roberts instead and release it at the end of 2002. The Week of Sept. 8 - 15 September 9 • 'The Musketeer' debuts at No. 1 with $10.3 million, on its way to a total gross of $27.1 million. It defeats two fellow newcomers: the Vivica A. Fox romantic comedy 'Two Can Play That Game' and the Mark Wahlberg-Jennifer Aniston musical drama 'Rock Star.' September 10 • Sam Rockwell signs on to play the lead role in George Clooney's 'Confessions of a Dangerous Mind.' • Keanu Reeves tells the press at the Toronto Film Festival that he appeared in the previous year's serial killer thriller 'The Watcher' only because a friend forged his signature on the contract. September 11 • In the wake of the morning's terrorist attacks, most of show business grinds to a halt. In Los Angeles, movie production shuts down. In New York, entertainment companies' corporate headquarters are evacuated. Movie theaters throughout the nation shut down. The Union Square cineplex in downtown Manhattan becomes an ad hoc shelter. • The Toronto Film Festival cancels all of the day's planned screenings. Celebrities there to promote their films are stranded as North American airports shut down. • Studios start rethinking the releases of completed films with potentially insensitive content. Disney's 'Big Trouble,' a comedy that involves the smuggling of a nuclear bomb aboard a jetliner, gets pushed back from Sept. 21 to an indefinite date in 2002, and its press junket is canceled. Warner Bros. delays the scheduled October 5 release of Arnold Schwarzenegger's 'Collateral Damage,' involving the destruction of a skyscraper by terrorists, until the following year, and the studio takes the movie's website offline. Sony yanks the trailer for 2002's 'Spider-Man,' which contains footage of Spidey using a giant web to trap a helicopter between the tops of the twin towers of the World Trade Center. September 12 • Independent film companies housed in lower Manhattan, including Miramax, Artisan, and Good Machine, remain shut down and inaccessible. • Paramount Classics decides to postpone the scheduled September 21 release of 'Sidewalks of New York,' Edward Burns' suddenly frivolous Manhattan romantic comedy. September 13 • Entertainment conglomerates, including AOL Time Warner, News Corporation (parent of 20th Century Fox), Disney, and Viacom (parent of Paramount), pledge millions of dollars in aid to families of emergency workers who responded at the World Trade Center and the Pentagon. The Screen Actors Guild pledges $50,000 to the first responders' families. • Sony revises plans for shooting the climax of 'Men In Black 2,' which was to have taken place at the World Trade Center. The new climax will take place at the Chrysler Building and will require changes only to the green-screen background in post-production. • DreamWorks decides not to postpone the October release of 'The Last Castle,' about an uprising at a military prison, but it pulls ads showing the American flag flying upside-down as a distress signal. • Oscar-nominated actress Dorothy McGuire ('Gentleman's Agreement') dies at 85. September 14 • 'Hardball' and 'The Glass House' are released as scheduled. Prints had been shipped to theaters before the terrorist attacks halted all air travel. • Though Robert De Niro's restaurants and production company, housed in TriBeCa (just north of the World Trade Center), have been shuttered all week, he gets his chefs, along with other top New York restaurateurs, to organize a food drive for relief workers, ferrying 500 meals at a time by boat to lower Manhattan. Months later, De Niro will help revitalize the economically devastated neighborhood and its many independent film companies by launching the Tribeca Film Festival, which is now gearing up for its 11th edition next spring. •'The Time Machine' gets an indefinite postponement, due to scenes involving the destruction of New York by fragments of the exploded moon raining down on the city. • Julie Andrews, Mira Sorvino, Anthony LaPaglia, and Barbara Hershey drop out of scheduled appearances at Spain's San Sebastian Film Festival. Andrews, who was to have received a lifetime achievement award, says it would be insensitive to celebrate herself "while the entire world is mourning." The Week of Sept. 16 - 22 September 16 • 'Hardball' grosses just $9.4 million at the box office, but that's enough to win on a weekend when no one feels much like going to the movies. The sports drama eventually earns $40.2 million. Debuting in second place, thriller 'The Glass House' earns $5.7 million, on its way toward an $18.0 million gross. September 17 • Tom Hanks, George Clooney, and Jim Carrey are the first movie stars to sign on to an all-star relief telethon scheduled for Sept. 21. • New York City begins issuing film permits for Manhattan again, now that borough police who were busy at Ground Zero are freed up to watch over movie shoots. • Another film postponed over imagery is indie drama 'People I Know,' which contains a shot of the World Trade Center towers on their sides, as seen through the perspective of a woozy Manhattan publicist (Al Pacino). Director Dan Algrant's home and editing room, both in Lower Manhattan, have been inaccessible since the attacks. The film eventually is released in the U.S. in 2003. September 18 • The Oscar ceremony is supposed to move to the new Kodak Theatre on Hollywood Boulevard in 2002, but the Academy threatens to keep it at the Shrine Auditorium unless the mall where the new theater is located agrees to beef up security, including a bomb sweep on the day of the show. • Tom Cruise, Julia Roberts, Cameron Diaz, Will Smith, Robert De Niro, Clint Eastwood, and Robin Williams sign on for the weekend's TV telethon, now dubbed 'America: A Tribute to Heroes.' • Screen Actors Guild president William Daniels phones President George W. Bush and offers the services of movie stars in whatever way the White House sees fit. The union says that the call is "warmly received" and that the administration may enlist stars for personal appearances, public service announcements, and fundraisers. Other outreach efforts between the administration and Hollywood will follow over the next few months, but little will come of them beyond a TV movie, 'DC 9/11: Time of Crisis,' which critics will argue paints the Bush administration's reaction to the attacks in far too rosy a light. September 19 • Jim Carrey pledges $1 million to the families of the victims. • Disney postpones the Christmastime release of action comedy 'Bad Company,' in which spies Anthony Hopkins and Chris Rock must thwart terrorists threatening to blow up lower Manhattan with a nuclear bomb. The film flops when released in summer 2002. • Indie distributor Lot 47 postpones the U.S. release of Canadian dark comedy 'Waydowntown,' which includes a fantasy scene of bodies plummeting from an office tower. The film gets released in a handful of theaters in early 2002. September 20 * Hollywood studios go on lockdown after the FBI alerts them to a possible terrorist threat in response to any potential U.S. bombing of Afghanistan. On the studio lots, tours and screenings are canceled, audiences for TV tapings are sent home, all packages are X-rayed, metal detectors are installed, and armed guards are posted. Nervous employees at Universal and Sony go home. The threat never materializes. • Movie stars added to the roster for 'America: A Tribute to Heroes' include John Cusack, Danny DeVito, Goldie Hawn, Salma Hayek, Jack Nicholson, Al Pacino, Brad Pitt, Chris Rock, Meg Ryan, Adam Sandler, Sarah Jessica Parker, Lucy Liu, and Sylvester Stallone. Some will make on-air fundraising appeals; others simply volunteer to man the phone banks and take pledge donations. • Postponed by nine months is the September shoot for the Jennifer Lopez thriller 'Tick-Tock,' in which she is to play an FBI agent who must find a series of ticking terrorist time bombs placed throughout Los Angeles. As it turns out, Lopez will never make the movie. September 21 • 'America: A Tribute to Heroes' attracts as many as 89 million viewers and raises $200 million for the United Way's September 11 Telethon Fund. It provides the model for ad hoc disaster relief telethons throughout the next decade. One of the telethon stars, Julia Roberts, pledges $2 million of her own money. • The Academy settles its security dispute with the Hollywood & Highland mall, allowing the Oscar ceremony to move to the new Kodak Theatre in 2002 as scheduled. The Academy Awards are still held there to this day. • Director Barry Sonnenfeld, whose movies 'Big Trouble' and 'Men in Black 2' were both affected by the attacks, says he has no idea how 9/11 will change film. "Anyone who says they know what will happen with Hollywood is wrong," he tells TV Guide. The Week of Sept. 22 - 31 September 23 • 'Hardball' remains the No. 1 movie at the box office, earning another $8.1 million. • Mariah Carey's musical 'Glitter' becomes one of the most notorious flops of recent years, opening at No. 11 and grossing just $2.4 million on its way to a total haul of just $4.3 million. September 24 • Chris Rock and Jamie Foxx are among the performers who offer their services to the USO, should they be called upon to entertain American troops fighting abroad. Over the next decade, with Americans fighting in Afghanistan and Iraq, there will be many such USO tours involving a broad spectrum of stars. September 25 • Greenlit movies include romantic comedy 'Deliver Us From Eva,' starring LL Cool J and Gabrielle Union, and action movie/spy thriller 'xXx,' starring Vin Diesel and Samuel L. Jackson. 'Eva' makes barely a ripple at the box office in 2003, but 'xXx' becomes a blockbuster hit in summer 2002 and spawns a sequel. September 26 • Arnold Schwarzenegger sues a gaming company for $20 million over a line of 'Terminator'-themed slot machines using the star's image without his permission. • Both Sandra Bullock and the Academy make $1 million pledges to relief efforts. September 27 • Paul McCartney announces plans for an all-star fundraiser at Madison Square Garden, to be telecast live on Oct. 20, called 'The Concert for New York City.' Among the movie stars scheduled to appear are Jim Carrey, Gwyneth Paltrow, and John Cusack. McCartney commissions legendary documentarian Albert Maysles -- who co-directed 'What's Happening! The Beatles in the USA,' a chronicle of the band's triumphant arrival in New York in 1964 -- to follow him around the city again as he prepares for the benefit. The show turns out to be a rousing success and raises $35 million, but Maysles' footage goes unseen by the public until September 2011, when the finished film, 'The Love We Make,' debuts on Showtime. • Blockbuster video stores start labeling recent releases thought to have content that viewers might consider disturbing following 9/11. The first film labeled is the explosion-filled 2001 thriller 'Swordfish.' The video chain also cuts its order for copies of the film by 30 percent. There's no label for older movies that touch on terrorism, like 'Die Hard' and 'The Siege,' which become popular rentals in the wake of the attacks. • Angelina Jolie donates $1 million to a United Nations fund targeted toward Afghan refugees. In July, she'd visited Afghan exiles in refugee camps in Pakistan, camps whose ranks would likely swell if the U.S. were to attack Afghanistan. For years to come, Jolie's movie career and her philanthropy in humanitarian crisis zones and her movie career would run on parallel tracks. In 2007, she'd earn acclaim for 'A Mighty Heart,' playing Mariane Pearl, widow of journalist Daniel Pearl, captured and beheaded in Pakistan in 2002. September 28 • Ben Stiller's 'Zoolander' becomes the first film altered because of 9/11 to reach theaters; the twin towers had been digitally scrubbed from shots of the New York skyline that included the World Trade Center. • MGM bumps Nicolas Cage's World War II drama 'Windtalkers' from November to summer 2002 out of fear that moviegoers won't want to see a war movie, or that another barrage of nonstop TV emergency news coverage could spoil the film's expensive ad campaign. • Richard Gere lands the male lead, opposite Renée Zellweger and Catherine Zeta-Jones, in 'Chicago.' The Broadway musical adaptation is released in 2002 and wins several Oscars, including Best Picture. • Arnold Schwarzenegger and Maria Shriver donate $1 million to the Twin Towers Fund, benefiting families of emergency workers. September 30 • 'Don't Say a Word,' a creepy kidnapping thriller starring Brittany Murphy and Michael Douglas, debuts at No. 1 with $17.1 million. Over the course of its run, it earns $55.0 million and becomes one of the biggest hits of Murphy's career. • 'Zoolander' opens in second place with a solid $15.5 million. Eventually, Ben Stiller's fashion-world satire earns $45.2 million and becomes a cult favorite. Follow Gary Susman on Twitter @garysusman 'Hardball,' 'Glitter' and 'Zoolander' photos courtesy of Everett. 9/11 and Oscars photos courtesy of AFP/Getty Images. Robert De Niro and Paul McCartney photos courtesy of Getty. Jim Carrey photo courtesy of AP.

Deauville 2011: 'Take Shelter' Wins Grand Prize

Following a wet week in Normandy, Olivier Assayas' jury made a decision to Take Shelter as Shaun Nichols' film required the grand prize in the Deauville American Film Festival whose 37th edition wrapped on Saturday evening. "He's a youthful filmmaker who's focusing on his third movie, write admirably well for that cinema and is an excellent actors' director," Assayas stated of Nichols after giving the prize. Nichols' next film Dirt will star Matthew McConaughey and Reese Witherspoon. Assayas and the feature film jury gave their Jury Prize to Matthew Gordon's The Dynamiter. The Worldwide Experts prize and also the Cartier Thought prize both visited Tony Kaye's Detachment. The 2010 competition selection featured 14 films, nine which were game titles from first-time company directors. Take Shelter stars Michael Shannon and Jessica Chastain, who won the 2010 "New Hollywood" award at the beginning of the festival. The film is going to be launched in France on 12 ,. 7 through Ad Vitam. Following the colorful ceremony, Deauville's audience was treated to black and whitened mute film The Artist which opened in the Festival p Cannes in May. Related Subjects Jessica Chastain Michael Shannon Worldwide

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Torchwood Finale Postmortem: Espenson on Jilly's Revelation, Big Twists and a Lack of Aliens

Torchwood: Miracle Day [WARNING: The following story contains major spoilers from the season finale of Torchwood: Miracle Day. Read at your own risk.] A hole in the world is the big bad villain? The Blessing tells Jilly she's "right"? Rex is immortal? So many burning questions linger after Friday's finale of Torchwood: Miracle Day, the end to an ambitious 10-episode season that attempted to say big things about politics, the media and, of course, mortality itself. TVGuide.com spoke with Jane Espenson -- who wrote or co-wrote half of the season's episodes with series executive producer Russell T. Davies - about Jilly's big revelation, the distinct lack of Torchwood's usual otherworldly baddies and why Captain Jack and Angelo didn't get to say goodbye. Torchwood's John Barrowman teases Doctor Who return, attempts to calm Ianto fans The Blessing has been destroyed, but The Families behind the miracle are still at large. In the end, we see them re-recruit Jilly (Lauren Ambrose). Has Russell discussed what a continuation would look like? Does he want to continue to follow them? Espenson: We didn't talk about what's coming up next - but that doesn't mean Russell hasn't worked out... As far as the families, their agenda is your classic world domination. Where we would go specifically? That's not been shared with me. [Starz has not made a decision on whether or not to renew the series.] You co-wrote the finale with Russell. When Jilly looks into The Blessing, it's a very chilling moment. Her eyes well up with tears because she sees that she's "right." Why did she see that? What did you want the takeaway there to be? Espenson: That was Russell's line, so all I can do is look at that as a viewer, but maybe a viewer with a little more inside information. I looked at that line too with fascination because I feel like that line gives insight into Jilly, the ego of someone who can look into the void and walk out of it with confidence. It says something about the degree of her self-delusion. But this is just me having the same kind of fun a viewer would have playing, "What does this mean?" I think the line is meant to hang there, unexplained and fantastically question-raising. One of the biggest differences between the show's three previous seasons and Miracle Day is that there is nothing extraterrestrial or alien or otherworldly working against Torchwood this time. In fact, The Blessing is nothing more than a mysterious hole in the ground exploited by The Families. Why switch things up? Espenson: Yeah, it's the most terrestrial thing possible. Our "alien" was something very, very earthly. There's something interesting and spooky in the notion that it doesn't have to come from "out there." I don't feel that it diverged from the mandate of Torchwood: creepy, unexplained stuff affects the Earth. Well, that can come from anywhere! I'm sure Russell was thinking he'd just done a big alien season with the 456, and with another alien you'd probably feel like you'd been down that road very recently, and very powerfully. How soon did you guys come up with the force behind the miracle, this rift? Espenson: That was set in stone - Ha! Like The Blessing itself - from the very beginning. Before Starz had even bought it, Russell worked out that mankind was going to lose its mortality and he had this notion that it would be caused by something from inside the Earth. One of the first things we decided was that it would be a thread running through the Earth, and it was during one of the first days of work that we came up with, "Wouldn't it be interesting if it hit two population centers? What are the closest antipodes? OK, so we're going to end up in Buenos Aires and China." That was pretty early on. When we decided that a pharmaceutical company would be involved in this, we came up with "phi" right away. Torchwood hits America: Captain Jack and the gang get racy, explosive in Miracle Day There's always been an element of horror in the show. What felt scary about the conceit for The Blessing, the hole in the Earth? Espenson: To me, it's the villainy that was going to be so interesting. There wasn't going to be a head alien that we were going to get to. Most of the villainy was done by people who are pulling the strings, done by the way that humanity is affected by the miracle. Very quickly people are burning, very quickly they're re-categorizing. When you push humanity, you don't always get lovely altruisms. Stress mankind and we're a step away from Anne Frank. That felt wrong in the right way. That felt very compelling and very true. I've had tweets from people telling me, "You shouldn't even be referencing Nazis! What a terrible thing to put on television!" And it's like, no. If we forget that mankind is capable of that kind of stuff, that's worse. There was also a very strong political element in the first half of the season. Mare Winningham played "the darling of the Tea Party" and she suffered a fate worse than death. Why did the writers feel compelled to get into politics so overtly this year? Espenson: I suspect it had to do with Russell seeing U.S. politics with the fresh eyes of an outsider. Writing a U.K. based show, politics may have felt prosaic, I don't know. It was dealt with in Children of Earth, but more in a government vs. people way. Maybe he felt he had more to say, but it was also the nature of this season's story: Children's threat from outside vs. Miracle Day's threat from inside. And maybe it was a specific reaction to the way the U.S. is right now -- we're so polarized that you couldn't tell a story that affects the world without getting into the politics... It's hard to write something political in the United States without having to take a little bit of a narrative stand on where different people are lining up. I must say, in one of my first drafts, I was more direct about it. I had, "Newt Gingrich is saying this about it..." I referenced the specific points of view of specific politicians, and Russell took that out. I think he wanted to make it more timeless. He probably thought it was a little too inside-baseball, a little too cute maybe... I think he found the right medium. Torchwood: Miracle Day's Eve Myles: Without Captain Jack, Gwen is in a strange, lost place Oswald (Bill Pullman) went very quickly from being a virtual TV messiah to a celebrity whose 15-minutes were about up. What happened in the time between, in those two episodes in which he and Jilly don't appear? Espenson: That was a way to make very really realistic his arc, that he would be elevated and then dropped. That just felt right - humanity doesn't seize on heroes for the longterm right now. Humanity's flailing around, they seize on him for awhile and then he's out of fashion. Also, he's an interesting character to put under stress. This is a guy with a poorly developed sense of empathy, self, dignity, everything. You want to stress him - he's going to be as interesting in the fall as he is in the rise. He can't guard his own impulses, so you want to put him in a situation where you see that play out. How did you come to the decision that he'd have a quasi-hero moment at the end in allowing Captain Jack (John Barrowman) and Gwen (Eve Myles) to leave before sealing the void? Espenson: We loved this idea that he knows deep down that he shouldn't be on this earth, that he's a net loss to humanity and wants to die but can't bring that about himself. He's waiting for mortality to return so he can die. So he dies and he helps them, but we didn't want to outright redeem this horrible, horrible man, so he says, "I'm coming for you, little girl." It's redemption and comeuppance both. You wrote one of the more Jack-centric episodes in which we flashed back to his relationship he had with an Italian named Angelo. Do you wish you could have played that out over more episodes? Espenson: In early drafts, there was more geographical scope to that relationship. At first, they were on foot in Little Italy, New York, 1927, pitching pennies with other guys in the neighborhood, doing robberies, setting up a shell game. The bootlegging operation was a more complicated thing... Angelo wanted to be a part of the jazz scene! In the end we had to cut it for budget, but that was a blessing, if you will. It allowed us to stay in that room with them, do some more close-up emotional talking. It all worked out perfectly. Sure, you always want to spend more time with a big relationship like that, but it's almost always better to resist that impulse because you end up sort of indulgent. That relationship had a specific function in the history of what happened to mankind and if you keep playing it out, it loses its purpose in the big story. Was there any impulse to give Jack and Angelo a final moment right before Angelo dies? Espenson: Yeah, actually, we did talk about that. Russell I believe really wanted to play that tragedy - no, he is gone, they missed their moment. At one point, I put in a draft that Angelo had been conscious up until days ago to really play up their near-miss, but that was maybe too maudlin. Russell was very into them not getting a last moment. But it was brought up a number of times. Jack is special, in large part, because he's immortal. How did you all decide that Rex (Mekhi Phifer) would now be immortal too? Espenson: We all really love Mekhi and thought he did an amazing job. That was not something we knew from the beginning. I think it came out of watching Mekhi. This is an interesting guy, and he changes more than anyone else over the course of the season. What would continue that growth? What would be the next interesting step to make Rex broaden his worldview and grapple with something? He's fun to watch grapple with things, you know?... It makes perfect sense within our story - he's full of Jack blood, and it totally changes any story we tell from this point out. And that's great because you want to leave the audience not knowing what's coming next. What did you think about this season of Torchwood? Are you satisfied by the ending? Share your thoughts in the comments below.

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The Brand New Poster for 'Mission: Impossible -- Ghost Protocol' Looks Awfully Familiar

As soon as we had the crazy first trailer for 'Mission: Impossible -- Ghost Protocol,' i was already aboard. Then when Vital Pictures adopted up by having an picture of Tom Cruise while it is raining, our excitement was underwhelming. On one side, how can you top a trailer that finishes with Tom Cruise swinging from the highest building on the planet? Alternatively, this latest poster is barely even trying. Read onto browse the latest teaser poster from Yahoo! Movies and find out the way it even compares to the final image we've got over last month. We obtain it, Ethan Search likes raincoats. Might be something worth decoding in most individuals amounts over his face, but nonetheless, we'll stay with a clip until that December 23 release date. [via Yahoo! Movies]

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Expendables 2 Sets Action Dream Trio: Arnold Schwarzenegger, Bruce Willis Join Sly Stallone

After The Expendables turned in a surprisingly strong $275 million worldwide gross, many have wondered what they would do for an encore. How’s this? Arnold Schwarzenegger and Bruce Willis have just closed deals to take “substantial” roles in The Expendables 2, alongside Sylvester Stallone. This has been rumored as possible, and it basically answers the hopes of a lot of fans who weren’t satisfied when action icons Schwarzenegger and Willis turned in cameos in the original, and poked fun at the days when they were the world’s top action stars. Stallone directed the first one but stepped out and the job went to Simon West. Filming will begin in October, and Lionsgate will once again release the Millennium Films-produced actioner. Schwarzenegger and Willis are repped by CAA. Schwarzenegger is already working for Lionsgate in the Jee-Won Kim-directed action film Last Stand. Willis will squeeze in the role before going off to Russia to reprise his John McLane role in Die Hard 5, which just landed John Moore as director at Fox, and then he will make a sequel to Red. Aside from Stallone, original cast members Jason Statham, Dolph Lundgren, Mickey Rourke, Terry Crews and Jet Li are expected to return, and there is buzz about Chuck Norris and Jean-Claude Van Damme. Do we need to start a petition for Jeff Speakman?